Photoshop Fun This Weekend

February 28th, 2010

I’ve had a couple of spurts of creativity this weekend, both of which are ideas I’ve had for a while, but haven’t bothered to produce.

Well, even with some very important deadlines looming, I found myself clahning around on Photoshop.

The first came from my (mentally and physically) unhealthy love of Mr Colonel Sander’s finest fast food establishments (particularly when consuming the Wicked Zinger Tower meal, with gravy and a large diet coke…). It could be neater, but it’s only for a bit of fun. Would probably have been better to do this as a vector image, but I’m a lot less experienced with vectors than Photoshop. So without further ado, I give you Colonel Beardmore:
Colonel Beardmore

The second image is inspired by my favourite podcast, the highly recommended Metal Hammer Podcast with Messrs Gill and Bezer. This one’s more of an in joke, and needs no explaining to those who listen. To those that don’t get it, you clahns need to listen to the podcast.
Clahnload 2010

Now back to my final year deadlines…

Megadeth’s Revolving Door – David Ellefson Returns!

February 8th, 2010

As a Megadeth fan, I’ve had to become accustomed to change. Through my teens up to now, I’ve seen one lineup of Megadeth split up (“The World Needs a Hero” lineup of Dave Mustaine, David Ellefson, Jimmy Degrasso and Al Pitrelli), another record an album (“The System Has Failed” lineup of session musicians Jimmy Sloas, Vinnie Colaiuta and guest soloist Chris Poland – with Dave Mustaine of course), another tour (“Blackmail the Universe” tour lineup of Dave Mustaine, James MacDonough, Glen Drover and Shawn Drover – with a brief tease of a Nick Menza return before that), a bassist change before recording another album (James MacDonough replaced by James Lomenzo just before recording “United Abominations”), a guitarist change (Glen Drover departing to be replaced by Chris Broderick before going on to record “Endgame”) and now another bassist change, which sees 1983-2002 Megadeth bassist and co-founder David Ellefson return to the fold following the departure of James Lomenzo. That’s quite a bit of change, and I’m too young to have experienced 15 years of the band’s career!

So, as I said earlier, as a Megadeth fan, I’ve had to familiarise myself with change. My problem is I get comfortable. I liked James MacDonough and mourned his departure when James Lomenzo stepped in, only to realise that the change was for the better. I loved Glen Drover and was extremely gutted when he and his smooth tone departed, but Chris Broderick more than stepped up to the job. With James Lomenzo’s departure, I’m feeling the same kind of mourning… but the change is so much more significant!

I credit James Lomenzo with bringing a lot of energy back to the Megadeth live show. If you see footage of Megadeth from the Gigantour 2006 DVD (Lomenzo’s first tour), you’ll see a fairly boring Megadeth. If you see footage from the tours that followed – when Lomenzo got comfortable (such as Megadeth’s infamous Download festival performance of 2007) you’ll see a reignited Megadeth. Their live shows have kicked severe ass ever since.

He’s a really nice chap, and comes across very personable in interviews and the one time I had the pleasure of meeting him – and he’s a monster on the bass. “Washington is Next!” has one of the most incredible bass lines I’ve ever heard and seen performed – and it will be interesting as to whether this song will ever feature in Megadeth’s live repertoire again. I look forward to hearing more details on Lomenzo’s departure. What I hope to hear is that he wanted to leave for whatever reason – and Dave sought out to please the fans and brought Junior back into the fold. It’d taint Ellefson’s return to think that JLo was driven out.

Now, of course I’m happy to see David Ellefson back. It’s fantastic that after all the bullshit of $18 million lawsuits and interview gags whenever the Megadeth subject comes up will be over and the two most important characters in Megadeth history will once again be sharing a stage, writing music and touring the world together. Even better for the American audience (and hopefully everyone else…) is that they get to see the entire “Rust In Peace” album performed by half of the lineup that recorded it. It’ll be a treat to see Ellefson back and it adds special value to the upcoming big 4 tour and Download performance.

One thought I did have stems from a point that was raised on the Metal Hammer podcast recently in which Mr Terry Bezer stated that Megadeth are more relevant now than they’ve been in a long time. I worry now that the throwbacks to the past will overshadow the critical success of “Endgame” and the hard work the 2008/9 lineup put into the album, only to find themselves touring a CD that came out in 1990. “Endgame” hasn’t been properly toured. Due to complications with upcoming Slayer tours, Megadeth have only been to Canada, Australia, Japan and some of the States in support of the record. I’ve been eagerly awaiting an indoor European tour where I’ll get to hear “This Day We Fight” and “Headcrusher” and hopefully deeper album cuts like “The Right To Go Insane” and “How the Story Ends” live – but I fear this may be in jeopardy.

So in summary, I have mixed feelings about the latest change, as I always do. It’s exciting to see Ellefson back, but it’s heartbreaking to see James Lomenzo leave. Thanks for everything James and welcome back Junior!

I’m sure I’ll be tweeting more about this so follow me at @willbeardmore.

Web Accessibility

February 8th, 2010

Currently in my degree module, “New Media Strategies and Futures” we’re delving deep into the world of web accessibility. Whilst doing some of the course reading, I just had a quick thought that I wanted to chuck into a short blog.

The fundamental idea of making the whole web accessible for all people of differing abilities – both mental and physical, is a fantastic idea and a no brainer. Why wouldn’t you want your website to reach as many people as possible? Hell, if it were easy, I imagine most websites would have different languages available too.

There are many steps a developer/designer can take to make their websites accessible, something that I’m going to strive to do. Using lesser known markup like <label> instead of laying forms out with tables and ensuring all of your content passes through the W3C’s validation process makes sense to me. My problem with accessibility writing is the soapbox style that most of them adopt – and the ludicrous threat of prosecution if websites fail to meet accessibility standards. The Disability Rights Commission published a report in 2004 stating that “where the response is inadequate, we shall be vigorous in the use of our enforcement powers; these range from “named- party” Formal Investigations which can lead to sanctions against the owners of inaccessible websites”. Granted, they’re referring to commercial websites only, but still – threats like this are surely enough to turn the rookie developer off.

If people are scared of developing websites – where will that take innovation?

Humble Pie

January 17th, 2010

It’s been months since I’ve felt I had anything worth sharing in the blogosphere, but I think I’ve finally got something. Also, I keep meaning to write a 2009 summary post with top 5’s and all that jazz, so keep your eyes peeled for that one, as I’m well aware the relevance threshold for such a post is quickly disappearing.

The big issue here is that I’ve bought a Mac. Furthermore, I love it. Even furthermore, it’s not just a Mac, it’s £1600 worth of Macbook Pro with a lovely 17″ glisten. Why’s this such an issue?

I’ve become the enemy.

For years I’ve criticised my friends for selling out and moving to Mac without knowing why they’re doing so. For some reason, it hit a nerve with me that people would buy a machine with similar specifications to a Windows equivalent for a few hundred pounds more & I felt that they had to justify their purchase. So, in my first year of university when the January student loan came in, I bought a brand new Windows Vista desktop PC.

Fast forward 2 years later and the PC’s starting to slow down, programs like Firefox take 5 minutes to load and I can’t even dream of practicing the After Effects techniques I’m learning on this machine. So, I decided a new computer was in order.

It was a mistake buying a desktop. I’m back and forth between Leeds and Bury like a yo-yo, so the number 1 requirement of the new computer was that it had to be a laptop. Second requirement of the computer was that it needed to be an investment, something that will last for at least a couple of years – until I’m making real money at least. This lead me to deciding that the new computer needed to be the best laptop I can buy – cue the Macbook pro 17″. Now I’m not going to claim to be the best researcher in the business, but I think calling this laptop “the best laptop I can buy” is quite justified. With the battery life, hard drive size, RAM, video card and processor all being pretty darn good, it seemed like a safe bet. I’m sure people will dispute it, and I’m not going to make much effort to argue with them, you have to realise; I’m still living in a little bit of shame.

It was a big moment sliding my card into the store’s chip and PIN device and entering the 3654 number (OK, artistic license may have been used on that PIN). It was a genuine adrenaline pumping experience. I could taste the humble pie as I unwrapped my new toy – and I’m not going to lie, it’ a 5 star dish.

Convincing myself that I’ve not completely sold out, one of my first orders of business was to install Parallels and Windows 7, but I don’t think I’m fooling anyone. I still refuse to be a high and mighty “get a Mac”, up your own arse Apple Wanker whenever I see a friend using a Windows laptop, but I don’t know if I’ll ever buy a PC again.

So, to all of my friends that have heard my tirade against Mac, I hope this blog brings a massive smile to your faces.

The Anthrax Saga: A Fan’s Perspective

August 4th, 2009

Just a month ago, October couldn’t come quick enough. October 23rd was set to be the release of my second most anticipated album of 2009 (just behind Megadeth’s Endgame), Anthrax’s Worship Music. Unfortunately, recent events have seen to it that my anticipation will have to continue into and possibly beyond 2010.

Where Anthrax are concerned, I’m in the minority it would seem – I’ve been predominantly in favour of the band’s moves throughout the 2000’s. I loved “The Greater of Two Evils” and still play it regularly, the energy and live feel the album has, help to give the classic songs a new lease of life. Some of the takes on this album I even prefer to the originals, songs like “Belly of the Beast” and “Keep it in the Family” suit John Bush’s voice perfectly. Strangely though, not long after this album’s release, it was announced that the “Classic Lineup” (wrongly referred to as the original lineup by many publications) featuring singer Joey Belladonna and guitarist Dan Spitz (and the returning Frankie Bello) would be touring the world to celebrate Anthrax’s legacy.

At the time, Anthrax’s stance on the reunion was that it was a nostalgia tour, a chance for the younger fans to see Joey don the Indian headdress one more time, a celebration. It has since been said that the tour was also to “save Anthrax”, who despite writing one of the best metal albums of 2003 (We’ve Come For You All), had found themselves in debts.

Whilst it seemed odd that John Bush would just be sitting around waiting for the rest of his band to finish up fooling around with the ex-wife, I was all for it. In my opinion, the shows were great, and we were getting to hear deep cuts from classic albums not heard in years, like “Skeletons in the Closet” and “Medusa” as well as (for us younger folk) experience the live impact of classic Anthrax.

As great as I thought the reunion was, it lasted too long. The band would be asked, interview after interview if they would be recording an album with Joey Belladonna, constantly maintaining that they wouldn’t and that the reunion was just a tour. But, with the reunion lasting forever, they started to entertain the idea… until all of a sudden Anthrax released a statement saying “that’s all folks”.

However, similarly to recent events, singer and band released separate statements claiming different understandings of the arrangement. Joey Belladonna claimed that he found out the reunion was over via the Internet [source], whilst Anthrax maintained that Joey had become awkward regarding a major upcoming tour. Nonetheless, that was that, and Anthrax trooped on singer-less.

Fast forward to 2009, a buzz starts to circulate around Anthrax once again. The band have unearthed a monster talent in Mr Dan Nelson, they’ve recorded their “heaviest album to date” and the live shows are killing. Finally it seemed, Anthrax were ready to step up and take their place along side fellow thrashers in the great thrash metal revival we’ve recently seen, and they were ready to mean something once again.

I caught their headlining show at the London LUU [photos] in June, and they seemed re-energized with Dan Nelson bringing a youthful kick to the band. At one point, Scott Ian claimed that their plan for the next couple of years was for us to “get really sick” of Anthrax, something I was very much looking forward to. I also managed to meet 4/5 of the band (Charlie escaped) after the show, and all seemed very positive and excited about the future, especially Mr Nelson. It seemed things were finally going to start working out for Anthrax.

NOT! Of course, something had to go wrong. Following a successful short European tour, the band and singer Dan Nelson found themselves unable to continue. Similarly to the recent Belladonna split, band and singer released conflicting statements, one stating that the singer was out – the other claiming they knew nothing of the sort.

The silver lining on the whole debacle is that lucky fans at Knebworth’s Sonisphere festival got to see Anthrax reunite with John Bush for (at the moment) one night only. All accounts I’ve read thus far have been overwhelmingly positive, causing many to do some metal maths, concluding the best thing for Anthrax right now would be to move forward, with John Bush back in tow (the plan all along). Even Scott Ian has said that the ideal situation would be for John to return full time and Dan Nelson to be just another blip in Anthrax’s less than streamlined career.

The frustrating thing about being an Anthrax fan is that they’re great at dividing their audience. Quite often, people passionately love one or the other multi album recording singer (referring to Bush or Belladonna). The circus of singers makes it difficult to casual fans to keep up with Anthrax, many fans choosing to give up entirely. For example – I’m fairly eager to hear “Worship Music” with Dan Nelson at the helm, however the likely scenario is that the album is recut with (seemingly most likely) John Bush and as much of a Bush fan as I am the switch may induce some slight disappointment within me if this materialises, considering how fantastic Dan’s vocals were supposed to be. They seem to live in the moment, with what seems like a very vague idea of what their future will bring. Whilst this makes for a fantastic energy to their music and performances, their constant changing of plans seems to leave many fans behind.

Here’s hoping that this weekend’s Sonisphere reignited a passion within John Bush, and Anthrax can move forward consistently for a few years, before it’s too late.

Links:

Introductions and Intentions

July 23rd, 2009

Hello!

Welcome to one of the far far far corners of the internet, a corner occupied by me, Will. The majority of those reading this initial blog will be well aware of who I am, as I’ve probably directed you here, but for those who have somehow landed here, please allow me to introduce myself.

I’m Will Beardmore (original domain, no?), and I’m currently entering my 3rd year of study at Leeds University for their New Media BAHons degree. In addition to being a poor student, I’ve been learning web design and development for almost a decade, starting out at the tail end of primary school, clowning around on Geocities and Homestead, I soon developed a large interest in the field, going on to learn HTML, PHP, MySQL, CSS, jQuery, etc, etc, etc.

My main interest and passion outside of the internet is Heavy Metal music. Over the years, I’ve poured just about everything I’ve earned into attending concerts and festivals, buying CDs and merchandise and just about anything I can get my hands on to do with metal. This blog will be my forum to discuss all things metal, because the internet needs another opinion…

Megadeth are my all time favourite band, my most seen band (10 times) and my most met band (3 times, once in the studio!). About 5 years ago, I started a Megadeth fansite, RattleheadHQ.com (now deceased), which became pretty popular, managing to attract almost 20,000 visits in its most successful month. When I started my degree, I lost the time it took to keep the Megafans informed, and so decided to stop updating it. It was fun whilst it lasted though.

Other bands I have an unhealthy interest in are Anthrax, Crowbar, Alice in Chains, Witchcraft, Alice Cooper, Metallica, Down and tons more. See what I’m currently listening to at my last.fm page.

Enjoy reading what I have to say, and feel free to contact me or comment below.

Also, I’m one of those Twitterers, so click here to follow me.